![]() phenomena such as trance, hallucinogenic drugs or even migraine (Dronfield. The reader is also invited to walk the demarcation line between the two points of view from which the labyrinth can be approached, the physical and the metaphysical, to discover how and when it achieved a material presence and came to occupy a specific place in our mind. entoptic' images are visual sensations which originate from within the optic. Do a deeper search of sources, both online or off, and build a case supporting the connection of ‘entoptic’ phenomena and the geometric markings of cave. Signs of all times: Entoptic phenomena in Upper Paleolithic art. To generate and study entoptics, they conducted experiments by stimulating brain and retina, electrically at first, later also with mind-altering substances. The diachronic perspective is emphasized to outline transformation processes. Using the category of ‘Venus statues’ for your examples, discuss how the issue of gender and gender bias plays a role in the discovery and subsequent narrative of art and history. Stone age rock art as entoptic phenomena a study In the 19th century, European and American opticians, physiologists and philosophers developed a broad interest in entoptic phenomena. ![]() In this paper, the earliest evidence for each of the above-mentioned meanings is reviewed, from the Mycenaean until the Hellenistic and Roman Times. The term entoptic comes from the Greek for within vision, indicating that the images come from anywhere within the optic system, between the eye itself and the neural cortex where signals from the optic nerve are interpreted. On vision and power in the Neolithic: evidence from the decorated monuments. Entoptic images are visual effects which originate within the visual processing system of the observer. On vision and power in the Neolithic: evidence from the decorated monuments. the building consisting of numerous halls connected by intricate and tortuous passages in which, according to the Greek mythology, the Cretan Minotaur was held, and 3) a widespread metaphor and symbol, a unique configuration with certain well-defined and rigid characteristics attested across the Mediterranean and beyond, from Prehistory to the present day. The signs of all times: entoptic phenomena in Upper Palaeolithic art. The term "labyrinth" can refer to three different entities: 1) a real building since several labyrinths are mentioned in Egypt, Greece, Miletus, and Italy by ancient authors and inscriptions, 2) an imaginary building, i.e. ![]()
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